The juxtaposition of artworks with documents taken from popular culture and the history of primatology gives the reader an insight into what the science historian Donna Haraway has termed the »primate order« — a hall of mirrors reflecting the scientific and cultural projections that turned the ape from an instrument of humanity’s self-definition into an integral element in testing out the possibility of reconstructing human »nature«

It is a landmark for everyone to enjoy

ja dreist anmuten mag – doch wenn man die Entwicklung der modernen Psychologie und ihre Bezüge zur Biologie verstehen will

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Grow it yourself Einar Turkowski The juxtaposition of artworks withThere is no question that ecological ideas have by now acquired a central role in contemporary episteme. In contrast, the heuristic function that these ideas can assume in the current polarisation is questionable: that which, over the last decade, has identified the environmental crisis with the (categorical and totalitarian) concept of the Anthropocene. Certainly, no one can deny the progressive transformation of human activities into geophysical